M.R.H - La Noe
M.R.H. are the initials I share with my grandmother on my father’s side. This photographic work began during the last days I spent with her late Summer 2019, as she slowly slipped away at my aunt’s house in La Noé.
My own pictures mix with family photographs salvaged from my grandmother’s flat: a small collection of negatives, the oldest of which depicts her as a child by her great-grandmother’s side around 1935. The series is built by bringing these negatives together with contemporary pictures and creates superimpositions from which new images arise, a stratification of eras and generations and an emergence of third spaces.
This project offers an intimate look at a life’s end as well as a more universal representation of genealogy and memory. Derived from a family photo album these commonplace souvenirs take on a fictional, ghostly dimension, opening up a reflection on the dialectic movement between life and death.